Backing Track
Director: Becky Wright, Associate Director: Alexandra Espinosa Sets: Chris Haig, Costumes: Asaki Kuruma, Sound: Jordan McCree, Projection Design: Taj Rauch, Arden Theatre Company (photos by Wide Eyed Studios)











Cost of Living
Director: Jeffrey Page, Sets: Christopher Ash, Costumes: Tiffany Bacon, Sound: Jordan McCree, Philadelphia Theatre Company (photos by Christopher Ash and Mark Garvin)












An Army of Lovers
Director: Kash Goins Sets: Marie Laster, Costumes: Anna Sorrentino, Sound: Larry Fowler, Projection Design: Janelle Kaufman, Azuka Theatre and Simpatico (photos by Johanna Austin)






Dionysus Was Such a Nice Man
Director: Dominique Serrand, Sets: Kristen Robinson, Costumes: Sonya Berlovitz, Sound: Elizabeth Atkinson, the Wilma Theater (photos by Johanna Austin)








Rachel
Director: Alexandra Espinoza, Sets: Marie Laster, Costumes: Carmel Brown, Sound: Dan Ison, Quintessence Theatre Group (photos by Linda Johnson)








The Wanderers
Director: Colette Robert, Sets: Anne Mundell, Costumes: Mindy Eshelman, Sound: Jeff Sherwood, City Theatre Company (Photos shared courtesy of City Theatre, photographer Kristi Jan Hoover)










A Comedy of Tenors
Director: Amy Kaissar, Sets: Jason Simms, Costumes: Linda Bee, Sound: Michael Keck, Bristol Riverside Theatre (Photos by Mark Garvin)






Tartuffe
Director: David Eppel, Sets: Jason Simms, Costumes: Deb Brothers, Sound: Bobby McElver, Adams Memorial Theater, Williams College (photos by Keith Forman)








Hamlet
Director: David Howey, Sets: Angela Toich, Costumes: Corrie Meehan, Sound: Paul Schuette and Elizabeth Atkinson, Arts Bank Theater, University of the Arts (photos by Paola Nogueras)








Next Fall
Director: Kevin Moriarty, Sets: John Arnone, Costumes: Thomas Charles Legalley, Sound: Bruce Richardson, Kalita Humphreys Theater, Dallas Theater Center (photos by Karen Almond)




The Bad and The Better
Director: Daniel Aukin, Sets: Alfred Schatz, Costumes: Moria Clinton, Sound: Philip Carluzzo, The Amoralists at the Peter Jay Sharp Theater (photos by Monica Simoes)




The Seagull
Director: Peter Richards, Sets: Ray Neufeld, Costumes: Carol Farrell, Sound: Mark Van Hare, Opera House Arts at Ames Farm, Stonington, ME (photos by Meg Taintor, Kelly Johnson and Ray Neufeld)
The Ash Girl
Director: Colette Robert, Sets and Lighting: Natalie Robin, Costumes: Jane Mahoney, Sound: Naz Kourgli, C.D. Smith III Theatre, Alfred University (photos by Rick McLay)
Julius Caesar
Director: Peter Richards, Sets: Robin Vest, Costumes: Kate Mincer, Sound: Mark Van Hare, Opera House Arts, Stonington, ME (photos by Darwin Davidson)




Endgame
Director: Robert Baker-White, Sets: David Evans Morris, Costumes: Deb Brothers, Centerstage, Williams College (photos by David Dashiell)




Copenhagen
Director: Robert Baker-White, Sets: David Evans Morris, Costumes: Deb Brothers, Centerstage, Williams College (photos by Ashley Kart)




In Darfur
Director: Kristen van Ginhoven, Sets: Juliana von Haubrich, Costumes: Govane Lohbaur, Sound and Projections: Brad Berridge, WAM Theatre at Shakespeare & Company (photos by Enrico Spada and Arthur Provenz)




God of Carnage
Director: Joel Ferrell, Sets: John Arnone, Costumes: Thomas Charles Legalley, Sound: Bruce Richardson, Kalita Humphreys Theater, Dallas Theater Center (photos by Karen Almond)




Yes Is for A Very Young Man
Director: Jessica Brater, Sets and Lighting: Natalie Robin, Costumes: Karen Boyer, Target Margin Theater at the Connelly Theatre (photos by Erik Carter)
Anna Asli Suriyah (I Come from Syria)
Director: Jessica Brater, Sets: Daniel Soule, Costumes: Bevan Dunbar and Karen Boyer Sound: Soraya Odishoo, Polybe + Seats at Beit Jeddo, Bay Ridge, Brooklyn (photos by Stephen Yang)






Second Language
Director: David Herskovits, Sets: Lenore Doxsee, Costumes: Annie Simon, Sound: Kate Marvin, Target Margin at the Chocolate Factory (photos by Sue Kessler)






A Streetcar Named Desire
Director: Omar Sangare, Sets: David Evans Morris, Costumes: Deb Brothers, Adams Memorial Theater, Williams College (photos by Damia Stewart)






Psycho Beach Party
Director: Jonathan Yukich, Sets: Carolyn Mraz, Costumes: Karen Boyer, University of New Haven (photos by Robert Rattner)






Waxworks
Director: Kristen van Ginhoven, Sets: David Evans Morris, Costumes: Deb Brothers, Sound: Brad Berridge, Adams Memorial Theatre, Williams College (photos by David Dashiell)






A Stain Upon The Silence: Not I and Footfalls
Director: Jean Dobie Giebel, Sets: James Hart, Costumes: Meganne George, Video: Rychard Curtiss, Studio 216 Productions at the 45th Street Theater (photos by Charles Winter)






As You Like It
Director: Becky Prophet, Sets and Lighting: Natalie Robin, Costumes: Annie Simon, Sound: Adam Salberg. Miller Theatre, Alfred University (photos by Zachary Hamm)
queerSpawn
Director: Jesse Geiger, Sets: Carolyn Mraz, Costumes: Kerry Gibbons, Sound: Nathan Leigh, A Collection of Shiny Objects at the Dorothy B. Williams Theatre at HERE (photos by Chasi Annexy)






Remembering Mr. Maugham
Director: Tony Speciale, Sets and Costumes: Daniel Zimmerman, Sound: Christian Frederickson, Projections: Kate Freer, Clurman Theatre (photos by Ann Blackstock)






Angels in America: Millennium Approaches
Director: Benny Sato Ambush, Sets: Daniel Zimmerman, Costumes: Ciera Wells, Sound: Emily Wright, Shubert Theater, NYU (photos by Zack Brown and Ella Bromblin)





